Journal

Qi Zhilong in his studio, 2024. Photo by Kye Fisher

Li Xianting remarked of his role as an editor and a critic as follows:

I just wanted to draw people’s attention towards a certain issue. I wanted to stir debate and stoke discourse

Guan Kan 观看 attempts to stand in this tradition, and uphold Mr Li’s dedication to critical investigation on Contemporary Chinese Art. Below you will find a series of essays, criticism, interviews with artists, art theory and art writing, aimed at analyzing the history and future of art.

Scholarly debate and analysis is welcomed by the journal as well as negotiating intercultural differences which may arise.

To join this discussion, please get in contact with Guan Kan 观看

Inward and Eastward
Photography, Biography Harry Price Photography, Biography Harry Price

Inward and Eastward

From growing up in a remote Chinese village to working and residing in Perth, Tami is the exception to the rule; a needle plucked from the haystack of systematic poverty and granted a chance at tertiary education and class mobility. What sounds like something out of the Hunger Games is normal for tens of millions. The gaokao, China’s national college-entrance exam, is notorious as the world’s toughest yet it is skewed against rural students. There is a 10-year lag in rural versus urban education, provincial intake quotas and a household registration system that governs where students may sit the test.

Read More
A Conversation with Shao Yinong and Muchen
Interview Sam Beard Interview Sam Beard

A Conversation with Shao Yinong and Muchen

On a humid Friday afternoon in July 2019, a group of art history students from the University of Western Australia arrived at the residence of artists and couple Shao Yinong and Muchen. Welcoming the group into their home, the artists presented and discussed their work, before beginning an informal Q&A.

Read More