Journal
Tags
- Alice Ho
- Bowen Yang
- Celsivincys Kumar
- darren jorgensen
- Darren Jorgensen and Tami Xiang
- Debbie Gilchrist
- Eloise Viney
- Erika Johanson
- Felicity Ostergaard
- Harry Price
- James Enderby
- Jemma Yovacic
- Jessica Cottam
- Jiayang Qin
- Jinx Zhou
- Johan Sulaiman
- Kiara Player
- Kye Fisher
- Lucy Leech
- Lévi McLean
- Maddie Sarich
- Peter Kidson
- Rachel Ciesla
- Sam Beard
- Sam Beard
- Sara Fong
- Tami Xiang
- Valentina Sartori
Qi Zhilong in his studio, 2024. Photo by Kye Fisher
Li Xianting remarked of his role as an editor and a critic as follows:
“I just wanted to draw people’s attention towards a certain issue. I wanted to stir debate and stoke discourse”
Guan Kan 观看 attempts to stand in this tradition, and uphold Mr Li’s dedication to critical investigation on Contemporary Chinese Art. Below you will find a series of essays, criticism, interviews with artists, art theory and art writing, aimed at analyzing the history and future of art.
Scholarly debate and analysis is welcomed by the journal as well as negotiating intercultural differences which may arise.
To join this discussion, please get in contact with Guan Kan 观看
Accelerationism and Positive Thinking after Beijing Realism
Two years after the close of the Beijing Realism Exhibition, the storm of furious writing it cased still leaves many questions unanswered. The co-curators of the exhibition and co-authors of this paper, Darren Jorgensen and Tami Xiang, attempt to shed new light on Beijing Realism as a reaction to economic conditions